Streaming Media

Streaming Media on Facebook Streaming Media on Twitter Streaming Media on LinkedIn
 

Tutorial: Using Compound Clips in Apple Final Cut Pro X

Working with compound clips in FCP X is similar to nesting sequences in Final Cut Pro 7. Once you understand how it works, and how changes to compound clips can ripple across projects, it's a powerful feature that you'll find yourself using more and more.

Editing a Compound Clip

You can step into this compound clip by either single-clicking the icon highlighted in Figure 5 (below), which helps denote whether it's a compound clip or not. Other (non-compound) clips in the timeline don’t have that.

 
Figure 5. The compound clip-identifying icon.

You can also double-click anywhere on the compound clip to open it up for editing, which again shows you that your edit is fully intact in here.

Making the Compound Clip Easy to Access in the Event Library

Now another thing to keep in mind is when you make a compound clip it also makes a source compound clip in your Event Library. So there's another piece of media, just like making a multi-clip when you do multicam editing.

Sometimes it's not easy to find. You might have a million clips in here already. If it’s not visible, you can do a search by Narrative Opening and find it. In this case, it ended up under Camera 02 (Figure 6, below).

 
Figure 6. Locating the Narrative Opening compound clip by searching in the Event Library.

You can make your compound clips easier to find by making a new Smart Collection. Click this magnifying glass icon in the search box in the Event Library (Figure 7, below), which brings up a dialog box (Figure 8, below Figure 7). Deselect the Text check box (which is selected by default), click the + sign to open the pull-down, and choose Clip Type, because it allows you to search for compound clips, as shown in Figure 9 (below Figure 8).

 
Figure 7. Click this icon to launch the dialog box shown below.

 
Figure 8. Searching by Clip Type in the Filter dialog.

 
Figure 9. Choosing Compound Clips as Clip Type.

So basically what we're doing is creating a Smart Collection so that any time a clip that meets this criteria is a compound clip, it'll populate this smart collection. Click New Smart Collection (bottom-right corner of Figure 9, above), and back in the Event Library you’ll see a little page icon with a gear. That's a Smart Collection folder, and it's for our compound clips, we're going to name it accordingly (Figure 10, below).

 
Figure 10. Our new Compound Clips Smart Collection.

So now anytime we make a new compound clip we no longer have to hunt for it; it's automatically going to populate in the Smart Collection. This is one good uses for Smart Collections that I use all the time.

Related Articles
Here's a look at two workflows for applying film grain to your footage in FCP X using cineLook (with and without Gorilla Grain), first with 4k footage shot with the Blackmagic Production Camera, and then with Cinestyle-flattened DSLR footage.
In our first tutorial on the recently released FCP 10.1, we look at the new Libraries feature, which enhances project and media organization and eases the adjustment for editors transitioning from FCP 7.
This tutorial on Apple Final Cut Pro X takes a closer look at color correction in the Inspector, exploring the Balance Color, Match Color, and Color Mask and Shape Mask features.
This tutorial on Apple Final Cut Pro X inspects the Video Inspector, a context-sensitive area of the FCP X interface that allows you to change settings of various filters and settings, and focuses on making basic but effective color adjustments.
In this video tutorial Glen Elliott of Cord3Films looks at FCP X's Timeline Index which provides innovative options for viewing, navigating, and searching your projects, including three different types of timeline markers and the ability to create a navigable To Do list of editing notes that's indispensable for collaborative workflows.
In this tutorial, Cord3Films' Glen Elliott demonstrates how to mix audio from multiple off-camera sources in a multicam edit in Apple Final Cut Pro X.
In part 2 of our series on multicam editing in Final Cut Pro X, Glen Elliott explains how you can accelerate and streamline the multicam-syncing process in Red Giant's PluralEyes 3.
Our Final Cut Pro X tutorial series continues with the first installment of a 3-part series on multicam editing in FCP X, addressing the basics like creating a multicam clip and cutting and switching audio and video using the Angle Editor.
In this tutorial, we'll look at several ways you can use connected storylines to enhance your FCP X edits and mix in cutaways and creative shots in a quick and efficient way.
This tutorial explores advanced editing techniques in FCP X including back-timing your edits, replacing edits and auditioning, top-and-tail editing, extend edits, trim-to-selection edits, keyboard trimming, and the Precision Editor.
The magnetic timeline is one of the major revolutionary changes in Apple Final Cut Pro X, and one of the areas editors struggle with when they're coming from track-based NLEs. In this tutorial we'll break it down and show you how to make it work for you.
In this first installment of our new tutorial series, Glen Elliott demystifies Final Cut Pro X, illustrates its core functions, and focuses on one of the most powerful new features for organizing, accelerating, and streamlining your edits: metadata keyword tagging.