In Part 1 of this article, we looked at how to set up a live webcast over 4G with the Teradek Cube and the Bond 4G Cellular Transmitter. Now we'll look at the results of the testing with the setup we assembled.
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Posted 15 Aug 2012
With the rise and increased penetration of 4G networks, live streaming over cellular is becoming more and more accessible. For this review, we tested the Teradek Cube encoder and Bond 4G cellular transmitter
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Posted 13 Aug 2012
This tutorial describes how to install and configure ViewCast's dual-channel Osprey 820e card ($1,795 MSRP; as low as $1,400 street) into a Windows system for driving two cameras within Telestream Wirecast, and discusses the board's highly functional set of utilities and SimulStream feature, which allows it to feed audio and video streams to more than one encoding application.
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Posted 18 Jun 2012
This is the first of a three-part tutorial on using Wirecast to mix two streams of video and other disk-based content. In this first tutorial, I'll describe how to install and configure two Blackmagic Design Intensity Pro cards into an HP Z600 for switching with Wirecast.
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Posted 11 Jun 2012
The new version of Adobe Media Encoder, included in the just-released CS6 collection as well as as a standalone product, offers significant improvements in usability and performance, as well as new features. Here's what you need to know about it.
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Posted 06 Jun 2012
For scopes and DVR functionality, Divergent's ScopeBox 3.0 outdoes Adobe's late, lamented OnLocation, particularly because it works with a range of cameras, not just those with FireWire outputs. If you've been wondering what you were going to do for DVR/scope functionality on the Mac now that Adobe has exited the market, you should definitely give ScopeBox a try.
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Posted 01 May 2012
When Apple originally released Final Cut Pro 10, the biggest deficit for Pro users was the lack of multicam. With the 10.0.3 release, Apple has addressed this with a highly functional and easy-to-use multicam feature, which Jan Ozer explains in this tutorial.
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Posted 24 Apr 2012
In this final segment of this series on the JStreet Making History convention webcast, we'll examine one aspect of webcast production that too often gets ignored: monitoring and controlling audio volume, which becomes a complex issue as speakers change, audio techs and shooters adjust their own levels, and the webcaster is left to make sure the signal sent over the web remains audible and consistent.
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Posted 22 Apr 2012
HP's Z1 is the first all-in-one computer with workstation components and field serviceability. Here, encoding expert Jan Ozer takes a look at how this workstation-class portable PC fared in a live production and webcast environment, with testing emphasis in 3 areas: rendering, streaming encoding, and live encoding.
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Posted 11 Apr 2012
Jan Ozer passes on several key tips on framing panels and applying the rule of thirds (and when to break it) gleaned from his recent gig webcasting the national J Street conference on Israeli-Palestinian relations.
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Posted 04 Apr 2012
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