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Articles

How to Maintain Production Control in Cloud-Based Production

Zixi's Eric Bolten discusses the transition to remote and cloud-based production in this clip from Streaming Media Connect 2021.
Featured Articles, Posted 24 Feb 2021

Telestream Cloud Stream Monitor and Wirecast Now Have Full SRT Support

Enables users to monitor live video stream quality when using SRT protocol
Featured News, Posted 24 Feb 2021

How to Create Custom Picture-by-Picture Looks for Remote Streaming Production

If you're looking for a way to elevate your livestreaming productions beyond what clients can do themselves, then you will want to take over more control in your productions, starting with the PxP and PiP looks, using external hardware and/or software. The benefit of this approach is that your recordings will generate a standard HD signal for later editing and on-demand viewing on different platforms.
Featured Articles, Posted 24 Feb 2021

Product Spotlight: HuddleCamHD Pro Webcam

The HuddleCamHD Pro (USB 3.0), certified by Zoom Video Communications, and Pro IP (4K NDI) electronic PTZ webcams come with a handheld IR remote to control PTZ functions.
Sponsored Articles, Posted 17 Feb 2021

Blackmagic Design Announces ATEM Mini Extreme

New more powerful models of ATEM Mini include 8 inputs, 6 DVEs, 4 chroma keyers, 16 way multiview, 2 downstream keyers, 2 media players and more!
Featured News, Posted 17 Feb 2021

NetEase Games Used Blackmagic Workflow for Identity V eSports Tournament

NetEase Games, a video game development company, used a Blackmagic Design workflow for their live streamed Identity V Championship Japan Fall 2020 esports tournament in Japan.
Featured News, Posted 17 Feb 2021

Adapting an Existing Multicamera Switching Setup for Streaming

The shift from live-switching to live-switched streaming since the pandemic started has required me to adjust my workflow to meet my clients' current demands in the most cost-efficient manner possible. In this tutorial, I'll discuss the adjustments I've made, explaining how to adapt the gear you have—with one additional minor purchase—rather than having to invest in a whole new streaming switcher.
Featured Articles, Posted 16 Feb 2021

City of Santa Barbara Reaches Local Community with Live Streams Powered by AJA Gear

Robust live streaming infrastructure helps video production arm of the City Administrator's Office continue to work uninterrupted throughout the pandemic
Featured News, Posted 10 Feb 2021

NewTek Introduces ProTek; Product Support Tailored to Customer Needs

Tiered support offered across Basic, Standard, High, and Ultra levels
Featured News, Posted 02 Feb 2021

Grass Valley Adds Connected Switcher Panels to its Cloud-Based Live Production Arsenal

SaaS Version of award-winning K-Frame switcher engine runs virtually on GV AMPP
Featured News, Posted 02 Feb 2021

Matrox Video Introduces Enhanced KVM-over-IP Operations for NewTek Live Production Workflows

Extio 3 IP KVM extenders now compatible with NewTek 3Play 3P1 and TriCaster TC1 production systems to enable seamless 4K and multi-display extension and switching support over IP
Featured News, Posted 02 Feb 2021

Elevating Remote Production in the Cloud

What's the best way to handle a multiday conference with one remote panel event after another, with about 5 minutes between them, maybe less? What if you add video playback, remote slide presentations, and the inevitable last-minute changes? On a recent project involving the challenges described above, my team and I chose a cloud-based workflow. In this article, I'll discuss what we used, what the cloud offers, and why we went this way.
Featured Articles, Posted 02 Feb 2021

LiveX Upgrades New 4K Broadcast Streaming Studio with Panasonic KAIROS

Next-generation IT/IP live production platform provides flexibility and greater control for 360-degree studio
Featured News, Posted 28 Jan 2021

Telestream Unveils Latest Version of Wirecast

Featuring new ISO recording options and back-channel chat for Rendezvous
Featured News, Posted 27 Jan 2021

John Ross Talks Laurel Canyon Live

Laurel Canyon Live's John Ross discusses the vision, mission, and workflow of a new live streaming facility that will operate at the nexus of live performance and narrative-driven music video in this interview with Streaming Media Producer's Steve Nathans-Kelly.
Featured Articles, Posted 27 Jan 2021

Vanco International Introduces New Family of Matrix Switches & 4K Receivers by Evolution

The new Evolution EVMX line of matrix switches and EVRX receivers offer a variety of functions and price points to meet the needs for residential and commercial AV distribution
Featured News, Posted 20 Jan 2021

Review: FEELWORLD LIVEPRO L1 Multi-Format Video Mixer

I bought the FEELWORLD LIVEPRO L1 mixer for my own use, and the current state of operation is pretty exciting, not only for live streaming but for recorded tutorials. The ability to mix multiple cameras in real-time with a single audio overlay will speed many upcoming tutorials for different courses that I'm creating.
Featured Articles, Posted 19 Jan 2021

Behind-the-Scenes of The Avett Brothers’ Epic New Year’s Eve Special

Production Company 7 Cinematics Proves Massive Success with Premiere Music Experiences & Livestreaming Events
Featured News, Posted 13 Jan 2021

Outfitting Toronto's Legendary Music Venues for Live Concert Streaming

Doug McKendrick, VP Production at Toronto's Massey Hall and Roy Thomson Hall discusses the pandemic-accelerated pivot to in-house production and streaming in Roy Thomson Hall, home to the Toronto Symphony Orchestra, and the role video is playing in the revitalization of the legendary Massey Hall.
Featured Articles, Posted 12 Jan 2021

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