David McKnight demonstrates a quick, easy way to generate sharp-looking titles for your Vegas Pro projects that requires no additional plugins.
Featured Articles,
Posted 11 Sep 2013
Twixtor enables FCP, Premiere Pro, and After Effects users to create engaging slow motion shots without the cost of renting a high speed camera
Featured News,
Posted 05 Sep 2013
Designed as an automatic white balance correction tool for when a camera's white balance was incorrectly set in the field, AutoGrade also offers a large amount of additional image control for FCP X users
Featured News,
Posted 22 Aug 2013
Exploring 3 new key features in Audition CC, the newest version of Adobe's professional audio editing application: Sound Removal for eliminating hums and other variable-frequency unwanted noises, the Loudness Radar Meter for matching and adhering to broadcast volume standards, and Automatic Speech Alignment for ADR.
Featured Articles,
Posted 22 Aug 2013
In this video tutorial Glen Elliott of Cord3Films looks at FCP X's Timeline Index which provides innovative options for viewing, navigating, and searching your projects, including three different types of timeline markers and the ability to create a navigable To Do list of editing notes that's indispensable for collaborative workflows.
Featured Articles,
Posted 15 Aug 2013
Luminaire is a set of six matte-controllable and completely customizable lighting effect plugins, developed exclusively for Final Cut Pro X
Featured News,
Posted 14 Aug 2013
Accessible in the Transitions, Generators and Titles browsers under the SUGARfx Swoosh category or under the "Swoosh" keyword in the Themes browser, Swoosh is an easy to use, versatile template that brings a cohesive graphic look to any project
Featured News,
Posted 14 Aug 2013
Adobe now offers two team plans for Creative Cloud: the complete option that delivers 14 Adobe desktop applications and cross-device collaboration and publishing capabilities; or the new single-app plan that includes access to one desktop application along with 20GB of storage and the ability to showcase work on the Behance creative community
Featured News,
Posted 07 Aug 2013
Designed exclusively for Final Cut Pro X, Text Panels is a great set of title and lower thirds effects that are sure to bring a new element of life to footage
Featured News,
Posted 07 Aug 2013
Here we'll look at how to make simple logo-based animated intros that won't set the world on fire, but will add a little branding kick to your videos using Photoshop and your NLE, without requiring you to hire a graphics expert or master After Effects or LightWave.
Featured Articles,
Posted 07 Aug 2013
BulletProof is a complete footage prep and delivery solution that simplifies the tedious tasks facing filmmakers every day on set
Featured News,
Posted 30 Jul 2013
In this tutorial, Cord3Films' Glen Elliott demonstrates how to mix audio from multiple off-camera sources in a multicam edit in Apple Final Cut Pro X.
Featured Articles,
Posted 30 Jul 2013
Using Adobe Lightroom 5 to color-grade and apply metadata to DSLR video files is simple and efficient and can benefit live-switchers doing minimal edits, editing novices, and pro editors exploring non-traditional workflows.
Featured Articles,
Posted 29 Jul 2013
While Sound Forge Pro 11 andSpectraLayers Pro 2 are standalone applications, both are now configured to work seamlessly with each other, providing a comprehensive editing environment that combines deep waveform and spectrum editing capabilities
Featured News,
Posted 24 Jul 2013
Matrox I/O products provide broadcast-quality video and audio input, output and monitoring to enable traditional tape-based workflows including deck control for frame-accurate batch capture and print-to-tape
Featured News,
Posted 16 Jul 2013
In part 2 of our series on multicam editing in Final Cut Pro X, Glen Elliott explains how you can accelerate and streamline the multicam-syncing process in Red Giant's PluralEyes 3.
Featured Articles,
Posted 10 Jul 2013
EDIUS 7 is now a native 64-bit application for Windows 7 and Windows 8 64-bit operating systems, taking full advantage of up to 512 GB (dependent upon Windows version) of installed memory for super-intensive media operations, such as multilayer 4K and 3D editing
Featured News,
Posted 08 Jul 2013
If you ever find yourself having to render multiple sequences from Premiere Pro, there's an easier way to do it than by using the Premiere Pro Export control. This tutorial will explain the easier and more efficient way using Adobe Media Encoder.
Featured Articles,
Posted 08 Jul 2013
Here's a quick tutorial for Premiere Pro CC users on how to migrate encoding presets that you created to customize and streamline encodes in Adobe Media Encoder CS5/6 into Adobe Media Encoder CC so you can pick up right where you left off.
Featured Articles,
Posted 08 Jul 2013
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