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Recent Featured Articles
Adobe and Editors' Content: What's Mine Is Mine, and I Mean It
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September/October 2024
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Current Digital Edition
June 11, 2015
Featured Articles
How to Master Audio Mixing for Live Production and Streaming
Live audio is challenging. Unlike many of the issues that arise on the video side of the equation, none of the problems that affect audio quality—RF interference, feedback, ground loop hum, hiss, over-modulation—can be seen. All of these challenges take a knowledge and understanding of the problem to assess and fix them properly. On live productions, more often than not, the time to fix audio issues is as soon as you hear them starting to happen.
Featured News
Blackmagic Design Debuts DeckLink 4K Extreme 12G - Quad SDI
New mezzanine card lets customers connect older Ultra HD and 4K equipment that use quad link 3G-SDI connections to their computer through their existing DeckLink 4K Extreme 12G video capture and playback card
New Action Pack Add-Ons Announced for Atomos Shogun Monitor Recorder
New accessories include Shotgun Armor Case, Matte LCD protection panel, lightweight and durable travel case, and custom-fit Shogun sun hood
Media 100 Editing Software Now Features Apple OS X Yosemite Support
Media 100 Suite Version 2.1.6 - fast, professional, and easy-to-use video editing software for Mac OS X - available from BorisFX for $99
Broadcast Pix Unveils New Router Control Software Option for Production Switcher Line
New software extends I/O, allows easy cross-point control of router sources to router destinations feeding a Broadcast Pix system
Telestream Now Shipping Lightspeed K80 Server
The Lightspeed K80 Server utilizes cutting-edge technologies from NVIDIA and Intel to boost video processing and H.264 encoding speeds by up to 60 percent for Vantage media processing platform products
Sponsored Articles
The Streaming Road Warrior: How to Overcome the Challenges of Portable Live Production
This article will provide a brief overview of some of the technological advancements that have been made in portable live production, and then offer some tips and tricks that you might find useful if you're doing live productions out in the field.
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