Event video producer David McKnight lays out a backup strategy for CF, P2, and SD-based videographers who have sizable quantities of card-based client video they need to store and back up systematically, locally and/or in the cloud.
Featured Articles,
Posted 29 Oct 2012
In this tutorial you'll learn how to maximize the brightness and contrast of your video in Adobe Premiere Pro CS6 using the Brightness, Contrast, and Gamma Correction controls for effective and balanced adjustments.
Featured Articles,
Posted 23 Oct 2012
Studio Z Films' Steve Zugelter describes the evolution of his work with Ronald McDonald House of Greater Cincinnati over the last four years, the techniques he's used to produce increasingly intimate and story-driven films for them, and how this recurring pro bono project has benefited the local nonprofit and further established Studio Z in the River City.
Featured Articles,
Posted 09 Oct 2012
Looking beyond the small set of white and bi-color LEDs specifically made for video production, you can find a whole other world of LED fixtures made for other markets--including "disc jockey" LED lights and controllers. For the cost of one good fresnel light, you can have a multi-light, expandable LED lighting package.
Featured Articles,
Posted 03 Oct 2012
The histogram and the waveform in Apple Final Cut Pro X are effective, easy-to-master tools that provide the clear input you need to diagnose and fix the contrast issues in your video simply and intelligently. In this video tutorial, video editing and encoding expert Jan Ozer explains how they work.
Featured Articles,
Posted 03 Oct 2012
Video encoding and editing expert Jan Ozer provides three useful tips that will enhance your workflow and get you out of some editing jams in your Adobe Premiere Pro projects: editing audio without unlinking; Fill Left and Fill Right to create stereo audio; and creating nested sequences for smoother edits and creating reusable set pieces in your projects.
Featured Articles,
Posted 26 Sep 2012
Austin's Transistor Six recreates the authentic, intimate feel of the BBC's Peel Sessions by capturing almost-famous bands live on still and Super 8 film and delivering performance and interview clips in online "web sessions." Here's a behind-the-music look at Transistor Six, its founders, its business model, its gear, and its analog ambitions.
Featured Articles,
Posted 19 Sep 2012
Half the size of the NewTek TriCaster 855, the TriCaster 455 holds its own for live production and streaming at a lower price point. We really like the functionality of the 455, especially when it comes to one-button streaming, a robust but manageable control surface, and the ability to add AirPlay virtual inputs to the HD-SDI physical inputs.
Featured Articles,
Posted 18 Sep 2012
SPARC's LIVE ART combines two brilliant and ambitious ideas: to create "a 20-week inclusive performing arts educational experience for children with and without developmental disabilities and hearing impairment," culminating "with these students performing on stage alongside some of Virginia's best professional musicians"; and to bring in a skeleton film crew to document not just the event itself, but the entire 5-month teaching, development, and rehearsal process in a documentary that is now being crowd-funded to completion.
Featured Articles,
Posted 04 Sep 2012
NewTek returns to its roots of empowering entry-level and budget-constrained live producers with its first sub-$5k HD-capable, multi-camera live production system
Featured Articles,
Posted 29 Aug 2012
Magic Bullet Denoiser II is the latest version of Red Giant's popular plug-in for removing video noise from troublesome footage. Event and documentary filmmaker tests the plug-in on two different clips and shows before-and-after results and assesses Denoiser's usability, effectiveness, and rendering speed.
Featured Articles,
Posted 29 Aug 2012
Sony shrinks its Google TV box, but the new box lacks basic functionality.
Featured Articles,
Posted 28 Aug 2012
NewBlueFX ColorFast is a new color correction, color grading, and color enhancement plug-in for Vegas, Premiere Pro, Final Cut Pro X, Avid, and EDIUS. In this video review/tutorial, we'll work with a piece of footage from a recent project that calls for all three kinds of color adjustment, and show how to accomplish each task in ColorFast.
Featured Articles,
Posted 22 Aug 2012
No matter how fast, efficient, and determined a 48 Hour Film Project production team is, they need to finish strong with a streamlined edit. Final.revised editor Scott Strimple describes how Apple Final Cut Pro X allowed him to deliver the goods on deadline, by leveraging key features that could make any edit cook.
Featured Articles,
Posted 22 Aug 2012
In Part 1 of this article, we looked at how to set up a live webcast over 4G with the Teradek Cube and the Bond 4G Cellular Transmitter. Now we'll look at the results of the testing with the setup we assembled.
Featured Articles,
Posted 15 Aug 2012
With the rise and increased penetration of 4G networks, live streaming over cellular is becoming more and more accessible. For this review, we tested the Teradek Cube encoder and Bond 4G cellular transmitter
Featured Articles,
Posted 13 Aug 2012
WeVideo is a cloud-based NLE that allows video editors to upload media files and edit them collaboratively or individually from any computer with a viable broadband connection, for HD export and sharing to YouTube, Vimeo, Facebook, and Twitter. But is it powerful and versatile enough for professional editors?
Featured Articles,
Posted 13 Aug 2012
The 48 Hour Film Project offers filmmakers a chance at fame and glory and unleashed creativity, along with the insanity of producing a film from pre to post in two days. Scott Strimple, editor of award-winning 48HFP entries two years running, recounts what it was like putting together this year's film. In Part 2 he'll discuss the instrumental role Apple Final Cut Pro X played in editing and delivering the film with a cool 9 minutes to spare.
Featured Articles,
Posted 04 Aug 2012
In Part 1 of this two-part series on the Nikon D800, I looked at the operation and functionality of the D800 DSLR as a video camera. Now, in Part 2, I'll share some usability notes, as report the results of some audio and video tests (with test footage) comparing the D800 to another highly regarded DSLR, the Panasonic GH2--to see if a lower-priced but very capable DSLR can measure up with quality glass--and to a more traditional prosumer camcorder.
Featured Articles,
Posted 31 Jul 2012
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